The thing that interests me most about DJ Louie XIV, probably even more than his music, is his sense of humor. If you ever have the chance to sit down with him, I highly recommend it as he is nothing short of hysterical. During this interview he had me cracking up to the point where I had to ask him, “Why are you pursuing a career as a DJ and not as a stand up comedian?” Actually, as it turns out, Louie XIV is a trained actor and spent many an hour at the Black Nexxus Studio studying with famed Susan Batson. He said after a while he knew it had to be one or the other. Unlike many other “DJ’s” that called themselves “DJ’s” in NYC, Louie XIV actually treats DJing like the craft that it is (Thank god someone around here does!) He knew that in order to be one of the best, he would have to give it his undivided attention. When he realized that he had more of an innate connection to music than to the theatre, his journey as a DJ began, and he tells us all about it in the interview below… Enjoy!
DJ Louie XIV
The Frogge: I’m here with DJ Louie XIV and we are going to jump right into this interview because tomorrow is Thanksgiving and I gotta get home and cook a Tofurkey! What is your favorite venue that you have DJed at so far?
DJ Louie XIV: I would say that I like The Eldridge a lot. I used to really like Baddies. I’ve spent a lot of time there. I used to DJ there on Saturday nights. I liked Baddies because it was so small; you could establish a high level of intimacy with the crowd. I just think there is something really great about being packed into a small room when you are dancing. But, if you are doing an event, there is nothing worse than being packed into a tight room! I recently DJed an event at the new Gansevoort Hotel on Park Avenue, on the roof deck, and it was so beautiful, the panoramic views were incredible.
TF: Is there a venue that you haven’t DJed at yet, but for some reason, you feel really connected to it, and you would like to DJ there soon?
LXIV: Everywhere that I haven’t DJed at yet is somewhere that I am interested in spinning! Every venue comes with its own set of challenges. I would definitely like to spin at The Boom Boom Room, I think that would be really fun.
TF: Is that because you are into panoramic views?
LXIV: Yes… Also, I would love to spin at a really big, multilevel club that holds like 20,000 people in Ibiza or in Tokyo.
TF: Interesting that you say that, because the rooms in NYC are so small. With that said, I feel like the size restrictions of the clubs in NYC allow every club to be very “specific.” This club is for “rockers” that club is for “hip hop” that club is “gay” this club is “Euro,” and the list goes on. Because the clubs are small, in reality, they don’t need very many people to pack them out. I feel like this system is pretty much segregating people, what do you think?
LXIV: Well, I wouldn’t say it’s “segregating” groups of people, but I would say I actually kind of like that. Any time a club is trying to establish an identity outside of the individual parties that they host nightly, weekly, monthly, I think it’s a positive. I think one of the downfalls of nightlife in this moment in time is that most of the clubs are invested in these nightly, weekly, monthly parties. They let whoever is “running the party” that night dictate the vibe of the club. In my opinion, this doesn’t create an environment where you’re going to the club because you like the club… It’s more like, “Oh, well my friend is hosting this party on this day so I guess I’ll go there.”
TF: That is definitely true because people will say to me all the time, “You go out, and you know what’s going on, so where should I go?” And at this point in my life, sometimes, I really don’t know what to say to them. It’s because, lately, I haven’t felt very connected to any one place. Actually that’s not true… I do really enjoy Don Hill’s, I think they have something going on there, it feels right, and St. Jerome’s has practically become a second home to my friends & I… but that is because I’m a Rock N’ Roll girl… But aside from that, there are no places that I feel I need to be. If you asked me this question 4 years ago, I would have definitely told you to go to Snitch. I’ll never be over Snitch, it was my favorite place in the world. It was like, no matter what day it was, no matter what time it was, when you walked into Snitch, you always knew what you were going to get. I felt extremely connected to Snitch, I also felt very connected to Collective Hardware… But nowadays, you mostly feel a connection to “your friend” who is throwing the party, or to the DJ… but not necessarily the venue itself. Okay, let’s talk about your set right now, what’s your thing, how do you describe your style?
LXIV: I like to play what’s fun. I know that’s a lame answer, but at the end of the day I like pleasing crowds. I am a performer at heart. But just because I like to please crowds, does not mean I will play anything! I am not a whore. I have very specific tastes, but by the same token, I am not an elitist in any way. If I like it, I will play it, whether is pop-sugar or dead serious Radio Head, to show tunes, Diana Ross, Rihanna, disco, new disco, or hip-hop. My roots are really in hip-hop. That’s what I started DJing, I love hip-hop, and I am the most comfortable playing hip-hop. I could literally stand at turntables for days and weeks and never get bored, never play the same song twice, I just know hip-hop like that. I know the styles, I know the beats, I know the history. When I put a set together, I consider a lot of things; how do these two songs go together? Do they have similar sounds, beats? Do you dance the same way to them? I think about the history, I think about how two songs go together in a cerebral sense. For example, I love playing Disturbia, Bad Romance and Sweet Dreams together. If there was no Sweet Dreams, there would be no Disturbia and there certainly would be no Bad Romance. You can hear the influences with in these songs… Putting these things together not only for the crowd, but for myself is very gratifying.
TF: It’s almost as if you are putting together pieces of a puzzle…
LXIV: It’s like I am weaving a tapestry. I think a crowd can always tell when a DJ is thoughtful compared to when a DJ is just kind up standing up there playing songs with the same BPM rate…
TF: When you aren’t DJing, what are you favorite spots? Where could The Frogge find you in your spare time?
LXIV: Believe it or not, I’m really not a club person. I don’t like going out that much. I’m kind of a homebody. When I am up in the DJ booth, I watch what is going on as if it were National Geographic. It’s really been an experience for me, especially once everyone is wasted and the mating rituals start to take place… Sometimes it’s almost as if I can’t believe what I am seeing… Of course, I completely understand the appeal of the clubs. After all, I do work in this industry. Sometimes I tell myself that I should go out more, because most of the time when I do, I meet someone I like, or something good happens, but after I’m out for like a half hour, I’m pretty ready to go home.
TF: We are complete opposites… I could go out all night, every night… The thing that I like most about clubs though is they are an environment where it is conducive to let out your inner desires. And, as I am sure you know, it is the DJ who is mostly responsible for that. Because the bottom line is, if the music was bad, everyone would leave and nothing would happen. How do you feel about the fact that as the DJ you have the power to completely influence people’s moods and practically cast them under your spell?
LXIV: I adore that! That is why I do what I do, or at least, a very large part of why I do what I do. Any artist, if they are really honest with themselves, is looking to influence and effect people that way.
TF: If you are making art and not affecting anybody than you probably aren’t making very good art…
LXIV: The great thing about DJing is, every time you do it, you are doing in live. It’s not something that you do alone in your room and then bring it out to show everyone. Being a DJ is about live performance and it’s a real thrill. When you have been spinning for 45 hours and you have built up and built up to the climax of the night where every single person in that club puts their hands in the air, it’s really the most gratifying thing. Because you did what you came to do, and it’s really happening in that moment… I’ve cried before in the DJ booth!
TF: Your music is so danceable… And I know that is a funny thing to say, because it seems so obvious, but sometimes I feel that certain DJ’s don’t play music which enables the crowd to dance… I don’t know what they are doing… But it’s really frustrating… Do you know what I mean by that?
LXIV: Yes! They are playing music for themselves. Or, they are trying to act “cool” by showing off “how much music they know.” When I first started DJing, I also had a desire to play obscure music to show “how much music I knew” but I’ve learned to temper that with what actually works. I am very sensitive and I know what works, and what doesn’t.
TF: Okay darling, here is your chance, tell the beautiful people where and when you are spinning next…
LXIV: This Saturday night, the 27th at The Eldridge (247 Eldridge Street.) The party is called BADDITUDE and it starts at 11 pm…
TF: If I come and request a song, will you play it for me?
LXIV: If I like it…
Get your BADDITUDE on! 11/27 @ The Eldridge! Music by DJ Louie XIV w/ guest host Dani Baum.
So there you have it people! The answer to all your problems… You ate wayyy too much turkey and mash… You feel fat, and you are wondering how you can work off all of those extra calories? Clearly, there is no better way to do it than to go get your BADDITUDE on…
Love your friend who has a major BADDITUDE,
The Frogge ❤